Contents

  • Histories

    Essays on periods and aspects of New School history, partial and evolving.

  • People

    Profiles of people who have passed through the New School. Entries focus on their time at the school.

  • Reader

    Readings, artworks, and materials by and about people associated with the school, including faculty, staff, and students.

  • Reflections & Analysis

    Personal reminiscence, scholarly commentary, and opinion.

About

This website seeks to explore and interrogate the past at a school dedicated to the new. Contributions by students, staff, faculty, alumni, and researchers.

Editors
Julia L. Foulkes, Professor of History
Mark Larrimore, Associate Professor of Religious Studies
Wendy Scheir, Director, New School Archives and Special Collections

Connections
The New School Archives Digital Collections from the Archives Public Seminar The New School

Contact
[email protected]

Link here to the Style Guide for the Histories of The New School website This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License

As the first major Regionalist painting to enter the permanent collection, Thomas Hart Benton's Weighing Cottony 1939 (Fig. 1) significantly enhances the Art Gallery's ability to present a balanced view of American art in the years between the Depression and World War Two. A premier example of Benton's Regionalist style, it is one in a series of three agricultural scenes- the others are Cradling Wheat and Roasting Ears (Figs. 2, 3) - in which the artist articulated a personal vision of the American heartland. It was a region that would preoccupy him for the rest of his life.

Source:

Yale University Art Gallery Bulletin, (1990), pp. 80-86

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Posted on Sunday February 24, 2019