Contents

  • Histories

    Essays on periods and aspects of New School history, partial and evolving.

  • People

    Profiles of people who have passed through the New School. Entries focus on their time at the school.

  • Reader

    Readings, artworks, and materials by and about people associated with the school, including faculty, staff, and students.

  • Reflections & Analysis

    Podcasts, scholarly commentary, and opinion.

About

This website seeks to explore and interrogate the past at a school dedicated to the new. Contributions by students, staff, faculty, alumni, and researchers.

Editors
Julia L. Foulkes, Professor of History
Mark Larrimore, Associate Professor of Religious Studies
Wendy Scheir, Director, New School Archives and Special Collections

Connections
The New School Archives Digital Collections from the Archives Public Seminar The New School

Contact
[email protected]

Link here to the Style Guide for the Histories of The New School website This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License

"New York and the Colored People" was the general topic tor discussion yesterday at the March conference on the evils of pauperism held in the assembly hall of the United Charities Building, 106 East Twenty-second Street. Introduced only by his non-committal subject on the programme, "My Colored Violin Teacher," David Mannes told the story of his first legitimate musical instruction, of his first direction on the right path of musical study, and of how, years later, he tried to pay his debt by inaugurating the Musical School Settlement for Negroes, now advancing through its first season with 150 pupils. Mr. Mannes, who is a brother-in-law of Walter Damrosch, is the director of the New York Music School Settlement, and the concert master of the New York Symphony Orchestra, but he was once a very poor boy, whose first handling of the violin had been guided only by an itinerant music teacher. It was then that he met Charles Douglas, and the story he told yesterday was the story of Charles Douglass.

Source:

The Black Perspective in Music, Vol. 6, No. 1 (Spring, 1978), pp. 71-88

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Posted on Friday February 22, 2019

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